800 Diamond

800 Diamond HAUSSTEUERUNG ...

Order Series Speakers direct from Bowers & Wilkins or find a retailer. Bringing the highest quality sound straight to you. Im Test:»Sehr gut«urteilen»Stereo«& Co ✅ Hat der Diamond von Bowers & Wilkins auch Schwächen? Jetzt Testfazits lesen ➤ bei teekla.be! Mit der neuen Serie Diamond hat Bowers & Wilkins das Regelwerk für High-​End-Audio-Performance neu verfasst. Seit fast 40 Jahren hat jede Generation. Tatsächlich hat stereoplay sich einige Monate lang vor dem Test der neuen B&W Diamond gedrückt. Was war passiert? Uns trieb die. Nichts blieb wie es war: Die Animation Bowers & Wilkins D3 vs D2 unten zeigt, was von der bewährten B&W Diamond-Serie (hier als.

800 Diamond

Die Lautsprecher der Serie Diamond sind die Referenzmodelle von Bowers & Wilkins und werden in Aufnahmestudios wie Abbey Road eingesetzt. Als das neue Topmodell der Serie Diamond verfügt die D3 über die innovativen und bahnbrechenden Features, die speziell für die Serie Di. Nichts blieb wie es war: Die Animation Bowers & Wilkins D3 vs D2 unten zeigt, was von der bewährten B&W Diamond-Serie (hier als. Sie hat sich einmal mehr als die ultimative Lösung in der Hochtontechnologie erwiesen. Das Ergebnis ist ein Klang, der mit der Originalaufnahme nahezu identisch ist. Aktuelle Nachrichten. Formation Wedge. Der Gutschein ist pro Person Free Download Casino Games For Pc einmal gültig. Ob nun ein paar Hertz tiefer oder 800 Diamond bis zwei Dezibel lauter: Die Slot E Games lassen nicht erkennen, wie viel mehr Erleben im Bassbereich stecken kann. Ähnliche Artikel. Diamantkalotten-Hochtöner Ungemein leicht und zugleich ausgesprochen hart ist der Diamant das ultimative Material für Hochtonkalotten, die klanglich durch eine faszinierende Natürlichkeit überzeugen. Auch die Diamond profitiert von diesem neuen Präzisions-Credo - legt aber noch einmal ein richtiges Pfund drauf.

800 Diamond - SMARTHOME …

Ausführung Option auswählen Beschreibung Technische Details. Genau dieses Malheur war bei der Vorgeneration passiert, deren Vorstellung gut fünf Jahre zurückliegt. Dank einer Seriennummerkontrolle Der perfekte Center-Lautsprecher für alle, die von ihrem Heimkino eine erstklassige Soundqualität erwarten. View and Edit Cart. Ihre Daten werden lediglich zur Kontaktaufnahme bzgl. Besonders faszinierend ist dabei die Mitteltonwiedergabe. Serie Anniversary Edition. Auch die Diamond profitiert von diesem neuen Präzisions-Credo - legt Meilleure Strategie Keno noch einmal ein richtiges Pfund drauf. Referenzlautsprecher Täglich nutzen Musiker und Toningenieure die Serie Diamond und stellen damit sicher, dass der Klang im Kontrollraum der Qualität der Performance im Studio entspricht. Die Serie bietet — von der Studioqualität aufspielenden D3 bis hin zur kompakten D3 Rct Online jeden Musikliebhaber die passende Lösung. Und kurz vor dem jährigen Firmenjubiläum macht die neuste Überarbeitung der Serie jetzt zum innovativsten Lautsprecher der Welt. Die neue Serie Diamond ist das Ergebnis eines anspruchsvollen Forschungsprojektes mit dem Ziel, das Beste noch weiter zu optimieren. Ermöglicht wird diese durch einen echten Drei-Wege-Aufbau mit zwei Rohacell-Tieftönern, einem sickenlosen FST-Mitteltöner und einem Hochtöner Symbol Of Psyche Diamantkalotte, der über den gesamten Frequenzgang hinweg eine brillante Klangpräzision Dolphin Pearl einen einzigartigen Detailreichtum liefern. Aktuelle Nachrichten. Die Profis sind zuversichtlich, dem wahren Klang nahe zu sein. Formation Bass. Titel Ihrer Bewertung. Was war passiert? Aber insgesamt? Als das neue Topmodell der Serie Diamond verfügt die D3 über die innovativen und bahnbrechenden Features, die speziell für die Serie Diamond entwickelt wurden und brilliert Leayge Of Legends noch mit weiteren technischen Feinheiten.

McLachlan's piano was truly three dimensional and well defined at a slight angle between the left and right speakers and an audible foot below her vocals.

The piano possessed tremendous attack though the melody itself was quite soothing and decay with notes appearing to hang in space as if they were placed on a hook.

Overall the sound was very smooth, very composed and again possessed a greater sense of air, space and extension that previous Series speakers lacked for me.

There was a real organic, almost "live" quality to the sound, evident in the subtle cymbal strikes that were neatly placed back and to the right of the soundstage.

Disagree with our product rating? Email us and tell us why you think this product should receive a higher rating. On the track "Bring On the Wonder," the delicate opening appeared from a stark black background giving each note a haunting, ethereal quality that while low in volume showcased the Diamond's dynamic prowess.

Dynamics aren't simply defined by a loudspeaker's ability to play loud at the drop of the hat, sometimes it can take the form of rich, textured subtlety - like in the individual strikes of a note or chord, as demonstrated in the opening moments of "Bring On the Wonder.

Even though "Bring On the Wonder" is largely comprised of McLachlin's own vocals layered upon one another for a sort of Imogen Heap-ish performance, through the Diamonds it managed to feel intimate yet aurally enveloping, possessing a soundstage that extended well beyond the side boundaries of the speakers themselves and in some instances beyond the side walls of my listening room.

The Diamond's did a wonderful job revealing each vocal layer, some of which were heavily processed for effect, and then seemingly putting them all back together again for one cohesive and involving performance.

Again, the Diamond's midrange and high frequency prowess is simply sublime. The track "Becoming One of 'The People,' Becoming One With Neytiri" has a little something for everyone; driving tympanis, bombastic horns and various delicate percussion instruments set against the haunting vocals of a child.

It's a great torture test for any loudspeaker or system, a torture test the Diamonds passed with aplomb. I focused a lot of my attention on the Diamond's bass performance during this track since I was already fairly convinced, based on earlier tests, that its midrange and high frequency abilities were quickly becoming the stuff of legend.

Well, the Diamonds are no one-trick or vocal-only pony for their bass prowess was epic, plunging deeper and with a greater sense of speed and urgency than my reference Revel Studio2s.

The vigorous tympani strikes were lifelike in their size and impact and possessed tremendous detail and attack, not to mention decay following every strike.

If one needs more bass than this, you better make sure your sub is up to the task, for mating the wrong sub with the Diamonds could do more harm than good.

Aside from the bass performance the entire track played back through the Diamonds was larger than life as they managed to pack an entire orchestra in my living room without it feeling at all confined or restrained by the speakers themselves or my room.

We Dance. We Steal Things Atlantic. Because the Diamonds are just a bit faster, more transparent and airy than previous incarnations, songs like "Volition" aren't robbed in the slightest of their somewhat frenetic pace and mosquito like reflexes.

I've heard many loudspeakers capable to transporting oneself to a place reminiscent of the actual recording space or venue but none that have done it as convincingly as the Diamonds.

The performance was so vividly real that I felt it could've stood up to a blind listening test with the real thing.

The presence, articulation, weight and sheer sense of space presented by the Diamonds was awe-inspiring.

What I didn't expect was how utterly involving the presentation would be given the lack of a center channel and surrounds.

Dialog was crisp, intelligible and in many ways far more convincing and natural when played back through a stereo pair of Diamonds versus a dedicated center speaker, for every line seemed to possess more air, weight and dimension because they weren't being confined to a smaller box.

While I wasn't able to achieve a full surround sound experience the Diamond's wide soundstage came darn close to making me believe there were actually rear channels installed in my system.

Now, with movies I could see the need for a subwoofer or two if you were planning on using the Diamonds as part of a home theater for there are notes, beats and sound effects in movies that are tailored specifically to be played back through a subwoofer - which was evident to a small degree in my stereo listening tests with Terminator Salvation through the Diamonds.

However, I wouldn't classify my lack of a subwoofer during this test as a distraction, for the bass that was present was extremely involving.

Again, I viewed the film in stereo via my Sony Blu-ray player and as with Terminator Salvation, I didn't necessarily care.

The Diamonds on their own were more than enough to get me to suspend reality for 90 minutes and become immersed in the film.

Again, dialog was clear and focused yet never sounded boxy or restrained. Scenes involving a lot of atmospheric surround effects, such as in the overly hyped and crowded restaurant Claw, were presented with lifelike dimension and space.

During some of the film's more action-oriented scenes, like the car chase involving a host of police cars and an Audi R8 driven by Steve Carell, the sound was larger than life, completely captivating and above all visceral, displaying the appropriate amount of "edge" for the scene, something previous Series designs were never quite able to do.

As a part of a home theater, the Diamonds are a tough act to fault let alone follow, even if I only had a pair on hand for my demo, for the same passion they have for music is easily felt when watching your favorite films.

Competition and Comparison The Diamond loudspeakers no doubt are the stuff of legend, but unlike in the Highlander films, there isn't merely one.

Not to mention they both cost roughly the same. Aside from the obvious high-end associations, the Diamond has competition from the likes of Paradigm's Signature Series S8 for the S8's achieve a large portion of the Diamond's performance at a fraction of the cost.

Whatever your budget, taste or needs - only you can decide what floorstanding loudspeaker is ultimately going to be right for you, but if you'd like to learn more about some of the speakers I've just mentioned or floorstanding speakers in general, check out Home Theater Review's floorstanding speaker page for more information.

The Downside As with any large floorstanding speaker, there are some practical considerations one must contemplate before making any final purchase decisions.

For starters the Diamonds are large speakers. While not as tall as some, they are quite wide and very deep, meaning you're going to have to make sure you have an appropriately sized room that can accommodate them.

If the Diamonds are too large for your space but you still want the Diamond's magic, the Diamond or one of its smaller siblings await you.

The Diamonds are fairly efficient at 90dB; however don't think that means you can skimp on power. While they can be frugal, the quality of your power amplifier will be quickly revealed thanks to their remarkable speed, accuracy and detail.

You can power the Diamonds with as little as 50 Watts per channel but it better be the best damn 50 Watts you can get your hands on.

Lastly, while I believe the Diamond's bass performance is both phenomenal and ample for two channel music playback, those of you looking to build a home theater or multichannel system around them are going to want to pair them with a quality subwoofer or two.

Choose wisely, though for mating the wrong sub to the Diamonds will be more disastrous then not having a sub. But I promise you the new Diamonds will be or at least should be on every audiophile's bucket list.

They are a true reference grade product that compete with and in many ways outperform everything in their class as well as embarrass loudspeakers costing twice as much.

While there may be little that visually distinguishes them from their predecessor, the D, I assure you the little changes that have been made internally, together add up for some big sonic changes.

The new Diamonds are just a little faster, a little more open and more detailed. They're more transparent, seem to plunge deeper and possess greater dynamics, not to mention they image better, cast a wider, more detailed soundstage and seem more refined visually.

Diamonds are extremely hard, but also brittle and can be split up by a single blow. Therefore, diamond cutting is traditionally considered as a delicate procedure requiring skills, scientific knowledge, tools and experience.

Its final goal is to produce a faceted jewel where the specific angles between the facets would optimize the diamond luster, that is dispersion of white light, whereas the number and area of facets would determine the weight of the final product.

For example, the diamond might be intended for display or for wear, in a ring or a necklace, singled or surrounded by other gems of certain color and shape.

Some of them are special, produced by certain companies, for example, Phoenix , Cushion , Sole Mio diamonds, etc. The most time-consuming part of the cutting is the preliminary analysis of the rough stone.

It needs to address a large number of issues, bears much responsibility, and therefore can last years in case of unique diamonds.

The following issues are considered:. After initial cutting, the diamond is shaped in numerous stages of polishing.

Unlike cutting, which is a responsible but quick operation, polishing removes material by gradual erosion and is extremely time consuming.

The associated technique is well developed; it is considered as a routine and can be performed by technicians. Those flaws are concealed through various diamond enhancement techniques, such as repolishing, crack filling, or clever arrangement of the stone in the jewelry.

Remaining non-diamond inclusions are removed through laser drilling and filling of the voids produced. And the firm created new markets in countries where no diamond tradition had existed before.

Ayer's marketing included product placement , advertising focused on the diamond product itself rather than the De Beers brand, and associations with celebrities and royalty.

Without advertising the De Beers brand, De Beers was advertising its competitors' diamond products as well, [] but this was not a concern as De Beers dominated the diamond market throughout the 20th century.

De Beers still advertises diamonds, but the advertising now mostly promotes its own brands, or licensed product lines, rather than completely "generic" diamond products.

Brown-colored diamonds constituted a significant part of the diamond production, and were predominantly used for industrial purposes. They were seen as worthless for jewelry not even being assessed on the diamond color scale.

After the development of Argyle diamond mine in Australia in , and marketing, brown diamonds have become acceptable gems.

Industrial diamonds are valued mostly for their hardness and thermal conductivity, making many of the gemological characteristics of diamonds, such as the 4 Cs , irrelevant for most applications.

The boundary between gem-quality diamonds and industrial diamonds is poorly defined and partly depends on market conditions for example, if demand for polished diamonds is high, some lower-grade stones will be polished into low-quality or small gemstones rather than being sold for industrial use.

Within the category of industrial diamonds, there is a sub-category comprising the lowest-quality, mostly opaque stones, which are known as bort.

Industrial use of diamonds has historically been associated with their hardness, which makes diamond the ideal material for cutting and grinding tools.

As the hardest known naturally occurring material, diamond can be used to polish, cut, or wear away any material, including other diamonds.

Common industrial applications of this property include diamond-tipped drill bits and saws, and the use of diamond powder as an abrasive. Less expensive industrial-grade diamonds, known as bort, with more flaws and poorer color than gems, are used for such purposes.

Specialized applications include use in laboratories as containment for high-pressure experiments see diamond anvil cell , high-performance bearings , and limited use in specialized windows.

The high thermal conductivity of diamond makes it suitable as a heat sink for integrated circuits in electronics. The mining and distribution of natural diamonds are subjects of frequent controversy such as concerns over the sale of blood diamonds or conflict diamonds by African paramilitary groups.

Only a very small fraction of the diamond ore consists of actual diamonds. The ore is crushed, during which care is required not to destroy larger diamonds, and then sorted by density.

Today, diamonds are located in the diamond-rich density fraction with the help of X-ray fluorescence , after which the final sorting steps are done by hand.

Before the use of X-rays became commonplace, [96] the separation was done with grease belts; diamonds have a stronger tendency to stick to grease than the other minerals in the ore.

Historically, diamonds were found only in alluvial deposits in Guntur and Krishna district of the Krishna River delta in Southern India. Diamond extraction from primary deposits kimberlites and lamproites started in the s after the discovery of the Diamond Fields in South Africa.

Most of these mines are located in Canada, Zimbabwe, Angola, and one in Russia. In the U. The Crater of Diamonds State Park in Arkansas is open to the public, and is the only mine in the world where members of the public can dig for diamonds.

In some of the more politically unstable central African and west African countries, revolutionary groups have taken control of diamond mines , using proceeds from diamond sales to finance their operations.

Diamonds sold through this process are known as conflict diamonds or blood diamonds. In response to public concerns that their diamond purchases were contributing to war and human rights abuses in central and western Africa, the United Nations , the diamond industry and diamond-trading nations introduced the Kimberley Process in This is done by requiring diamond-producing countries to provide proof that the money they make from selling the diamonds is not used to fund criminal or revolutionary activities.

Although the Kimberley Process has been moderately successful in limiting the number of conflict diamonds entering the market, some still find their way in.

This is a stringent tracking system of diamonds and helps protect the "conflict free" label of Canadian diamonds. Synthetic diamonds are diamonds manufactured in a laboratory, as opposed to diamonds mined from the Earth.

The gemological and industrial uses of diamond have created a large demand for rough stones. This demand has been satisfied in large part by synthetic diamonds, which have been manufactured by various processes for more than half a century.

However, in recent years it has become possible to produce gem-quality synthetic diamonds of significant size.

The majority of commercially available synthetic diamonds are yellow and are produced by so-called high-pressure high-temperature HPHT processes.

Other colors may also be reproduced such as blue, green or pink, which are a result of the addition of boron or from irradiation after synthesis.

Another popular method of growing synthetic diamond is chemical vapor deposition CVD. The growth occurs under low pressure below atmospheric pressure.

It involves feeding a mixture of gases typically 1 to 99 methane to hydrogen into a chamber and splitting them to chemically active radicals in a plasma ignited by microwaves , hot filament , arc discharge , welding torch or laser.

A diamond simulant is a non-diamond material that is used to simulate the appearance of a diamond, and may be referred to as diamante.

Cubic zirconia is the most common. The gemstone moissanite silicon carbide can be treated as a diamond simulant, though more costly to produce than cubic zirconia.

Both are produced synthetically. Diamond enhancements are specific treatments performed on natural or synthetic diamonds usually those already cut and polished into a gem , which are designed to better the gemological characteristics of the stone in one or more ways.

These include laser drilling to remove inclusions, application of sealants to fill cracks, treatments to improve a white diamond's color grade, and treatments to give fancy color to a white diamond.

Coatings are increasingly used to give a diamond simulant such as cubic zirconia a more "diamond-like" appearance. One such substance is diamond-like carbon —an amorphous carbonaceous material that has some physical properties similar to those of the diamond.

Advertising suggests that such a coating would transfer some of these diamond-like properties to the coated stone, hence enhancing the diamond simulant.

Techniques such as Raman spectroscopy should easily identify such a treatment. Early diamond identification tests included a scratch test relying on the superior hardness of diamond.

This test is destructive, as a diamond can scratch another diamond, and is rarely used nowadays. Instead, diamond identification relies on its superior thermal conductivity.

Electronic thermal probes are widely used in the gemological centers to separate diamonds from their imitations. These probes consist of a pair of battery-powered thermistors mounted in a fine copper tip.

One thermistor functions as a heating device while the other measures the temperature of the copper tip: if the stone being tested is a diamond, it will conduct the tip's thermal energy rapidly enough to produce a measurable temperature drop.

This test takes about two to three seconds. Whereas the thermal probe can separate diamonds from most of their simulants, distinguishing between various types of diamond, for example synthetic or natural, irradiated or non-irradiated, etc.

Those techniques are also used for some diamonds simulants, such as silicon carbide, which pass the thermal conductivity test.

Optical techniques can distinguish between natural diamonds and synthetic diamonds. They can also identify the vast majority of treated natural diamonds.

Laboratories use techniques such as spectroscopy, microscopy and luminescence under shortwave ultraviolet light to determine a diamond's origin.

Several methods for identifying synthetic diamonds can be performed, depending on the method of production and the color of the diamond.

CVD diamonds can usually be identified by an orange fluorescence. Screening devices based on diamond type detection can be used to make a distinction between diamonds that are certainly natural and diamonds that are potentially synthetic.

Those potentially synthetic diamonds require more investigation in a specialized lab. Occasionally, large thefts of diamonds take place.

The gang broke through a perimeter fence and raided the cargo hold of a Swiss-bound plane. The gang have since been arrested and large amounts of cash and diamonds recovered.

The identification of stolen diamonds presents a set of difficult problems. Rough diamonds will have a distinctive shape depending on whether their source is a mine or from an alluvial environment such as a beach or river—alluvial diamonds have smoother surfaces than those that have been mined.

Determining the provenance of cut and polished stones is much more complex. The Kimberley Process was developed to monitor the trade in rough diamonds and prevent their being used to fund violence.

Before exporting, rough diamonds are certificated by the government of the country of origin. Some countries, such as Venezuela, are not party to the agreement.

The Kimberley Process does not apply to local sales of rough diamonds within a country. Diamonds may be etched by laser with marks invisible to the naked eye.

Lazare Kaplan , a US-based company, developed this method. However, whatever is marked on a diamond can readily be removed. Diamonds have been treasured as gemstones since their use as religious icons in ancient India.

Their usage in engraving tools also dates to early human history. In , the French scientist Antoine Lavoisier used a lens to concentrate the rays of the sun on a diamond in an atmosphere of oxygen , and showed that the only product of the combustion was carbon dioxide , proving that diamond is composed of carbon.

From Wikipedia, the free encyclopedia. This article is about the mineral. For the gemstone, see Diamond gemstone. Allotrope of carbon often used as a gemstone and an abrasive.

The slightly misshapen octahedral shape of this rough diamond crystal in matrix is typical of the mineral. Its lustrous faces also indicate that this crystal is from a primary deposit.

Main article: Material properties of diamond. See also: Crystallographic defects in diamond. Main article: Diamond color. Main article: Extraterrestrial diamonds.

A round brilliant cut diamond set in a ring. Main article: Diamond gemstone. Main articles: Diamond cutting and Diamond cut.

See also: List of diamond mines and Exploration diamond drilling. Play media. Main articles: Kimberley Process , Blood diamond , and Child labour in the diamond industry.

Main article: Synthetic diamond. Main article: Diamond simulant. Main article: Diamond enhancement. Minerals portal. Retrieved July 7, In Delhaes, Pierre ed.

Graphite and precursors. Noyes Publications. In Paoletti, A. The physics of diamond. IOS Press. Chemical Thermodynamics. University Science Books.

Popular Science. Retrieved October 31, In Yang, Guowei ed. Pan Stanford Pub. Physical Review Letters.

Bibcode : PhRvL.. January 23, Proceedings of the National Academy of Sciences. Bibcode : PNAS.. Materials science. Tata McGraw-Hill Pub.

David Solid state physics. Holt, Rinehart and Winston. In Radovic, Ljubisa R. Chemistry and physics of carbon. Marcel Dekker. Gems: Their sources, descriptions and identification 5th ed.

Great Britain: Butterworth-Heinemann. May 30, Annual Review of Earth and Planetary Sciences. Diamond and Related Materials.

Bibcode : DRM Astrophysical Journal. Bibcode : ApJ National Science Foundation. January 8, Retrieved October 28, Properties, Growth and Applications of Diamond.

Institution of Engineering and Technology. Innovative superhard materials and sustainable coatings for advanced manufacturing.

Handbook of ceramic grinding and polishing. William Andrew. The nature of diamonds. Cambridge University Press. October 3, Applied Physics Letters.

Nature Communications. Bibcode : NatCo Physics World. November 2, Retrieved November 1, April 20, Philosophical Transactions of the Royal Society A.

Bibcode : ApPhL.. Redox activity". Physical Review E. Bibcode : PhRvE.. Analytical Chemistry. Precious Stones, Volume 1. Dover Publications. Gemological Institute of America.

Retrieved August 1, How to Safeguard Your Jewelry". Science Questions with Surprising Answers. February 21, European Journal of Inorganic Chemistry.

Physical Review B. Bibcode : PhRvB.. Reports on Progress in Physics. Bibcode : RPPh Brunswick House Press. The Daily Telegraph. Retrieved March 31, May 12, Retrieved May 13, The diamond makers.

Synthetic, Imitation and Treated Gemstones. Gulf Professional Publishing. Dan December 1, The Mantle and Core.

Archived from the original PDF on October 21, Retrieved June 16, They don't form from coal! Geology and Earth Science News and Information. Archived from the original on October 30, Retrieved June 29, The Christian Science Monitor.

Retrieved August 30, Economic Geology: Principles and Practice. A dictionary of geology and earth sciences 4th ed. Oxford: Oxford University Press.

In Milkereit, B. Decennial Mineral Exploration Conferences , Retrieved March 1, Washington, DC. Retrieved December 13, In Orcutt, Beth N.

July 12, Reviews of Modern Physics. Bibcode : RvMP October 1, American Scientist. Bibcode : AmSci..

Washington Post. Retrieved October 16, Astronomy magazine. Retrieved September 25, April Diamond-like glass".

Retrieved September 26, Jewelrymaking through history. Greenwood Publishing Group. April 12, Retrieved November 3, Archived from the original on March 17, Retrieved March 9, Spiegel Online.

May 15, Antwerp World Diamond Center. August 16, The Economist. Retrieved September 24, Archived from the original on June 16, Retrieved April 26, November 6, DIB online.

Archived from the original on May 12, November 3, National Jeweler. Archived from the original on July 5, The De Beers Group.

Archived from the original on June 13, Retrieved January 4, RIA Novosti. May 6, Retrieved May 25, December 22, Archived from the original on August 20, ABC News.

August 22, Retrieved August 23, Rio Tinto web site. Rio Tinto. Archived from the original on May 11, Retrieved March 5, Africa's silk road.

World Bank Publications. World Federation of Diamond Bourses. Retrieved February 12, Archived from the original on January 6, Retrieved May 5, Handbook of carbon, graphite, diamond, and fullerenes: properties, processing, and applications.

Antique jewellery: its manufacture, materials and design. Osprey Publishing. Retrieved July 14, Handbook of industrial diamonds and diamond films.

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800 Diamond - Technische Daten

Es basiert auf dem in 50 Jahren Forschungsarbeit erworbenen Know-how und ist der Inbegriff für höchste Klangqualität. Yes No. Cookies zulassen. Dieser leistungsstarke Subwoofer besticht mit Watt und zwei ausgewogenen cm-Aerofoil-Treibern. IT Security oder Consultant.

800 Diamond Video

B\u0026W 800 Diamond demo Die Lautsprecher der Serie Diamond sind die Referenzmodelle von Bowers & Wilkins und werden in Aufnahmestudios wie Abbey Road eingesetzt. Selten wurde eine etablierte Lautsprecherserie so radikal überarbeitet wie die neue Serie Diamond D3 von Bowers & Wilkins. Statt vorsichtiger Modellpflege. B&W Serie Diamond, Referenz Lautsprecher, Live erleben im HiFi Forum Baiersdorf, exklusiv im Grossraum Nürnberg. Als das neue Topmodell der Serie Diamond verfügt die D3 über die innovativen und bahnbrechenden Features, die speziell für die Serie Di.

See all our hi-fi speaker Best Buys. Follow whathifi. Join whathifi. What Hi-Fi? Please deactivate your ad blocker in order to see our subscription offer.

Home Reviews. For Truly stunning bass, detail and dynamic reach innovative engineering and superb build. Against As demanding of amps as it is of your wallet careful system matching is vital.

See all our hi-fi speaker Best Buys Follow whathifi. PMC fact. Vimberg Mino loudspeaker. Rethm Maarga loudspeaker. Magico M2 loudspeaker.

Vivid Kaya 45 loudspeaker. Hegeman Model 1 omnidirectional loudspeaker. Manger p1 loudspeaker. GoldenEar Technology Triton One. R loudspeaker. Ohm Acoustics F loudspeaker.

Andover Model-One turntable music system. Ayre Acoustics K-3 preamplifier. Yamaha A-S integrated amplifier.

Stereophile's Products of Recording of August Live at Funkhaus Berlin. Recording of July Earth. Recommended Components Edition.

Recording of April Afterimage. Recording of March Who. JA on Loudspeaker Measurements. Recording of February Farinelli. Records to Die For Recording of January Munich Audio Streams AudioStreams 9.

Audio Streams 8. Dynamics aren't simply defined by a loudspeaker's ability to play loud at the drop of the hat, sometimes it can take the form of rich, textured subtlety - like in the individual strikes of a note or chord, as demonstrated in the opening moments of "Bring On the Wonder.

Even though "Bring On the Wonder" is largely comprised of McLachlin's own vocals layered upon one another for a sort of Imogen Heap-ish performance, through the Diamonds it managed to feel intimate yet aurally enveloping, possessing a soundstage that extended well beyond the side boundaries of the speakers themselves and in some instances beyond the side walls of my listening room.

The Diamond's did a wonderful job revealing each vocal layer, some of which were heavily processed for effect, and then seemingly putting them all back together again for one cohesive and involving performance.

Again, the Diamond's midrange and high frequency prowess is simply sublime. The track "Becoming One of 'The People,' Becoming One With Neytiri" has a little something for everyone; driving tympanis, bombastic horns and various delicate percussion instruments set against the haunting vocals of a child.

It's a great torture test for any loudspeaker or system, a torture test the Diamonds passed with aplomb.

I focused a lot of my attention on the Diamond's bass performance during this track since I was already fairly convinced, based on earlier tests, that its midrange and high frequency abilities were quickly becoming the stuff of legend.

Well, the Diamonds are no one-trick or vocal-only pony for their bass prowess was epic, plunging deeper and with a greater sense of speed and urgency than my reference Revel Studio2s.

The vigorous tympani strikes were lifelike in their size and impact and possessed tremendous detail and attack, not to mention decay following every strike.

If one needs more bass than this, you better make sure your sub is up to the task, for mating the wrong sub with the Diamonds could do more harm than good.

Aside from the bass performance the entire track played back through the Diamonds was larger than life as they managed to pack an entire orchestra in my living room without it feeling at all confined or restrained by the speakers themselves or my room.

We Dance. We Steal Things Atlantic. Because the Diamonds are just a bit faster, more transparent and airy than previous incarnations, songs like "Volition" aren't robbed in the slightest of their somewhat frenetic pace and mosquito like reflexes.

I've heard many loudspeakers capable to transporting oneself to a place reminiscent of the actual recording space or venue but none that have done it as convincingly as the Diamonds.

The performance was so vividly real that I felt it could've stood up to a blind listening test with the real thing.

The presence, articulation, weight and sheer sense of space presented by the Diamonds was awe-inspiring. What I didn't expect was how utterly involving the presentation would be given the lack of a center channel and surrounds.

Dialog was crisp, intelligible and in many ways far more convincing and natural when played back through a stereo pair of Diamonds versus a dedicated center speaker, for every line seemed to possess more air, weight and dimension because they weren't being confined to a smaller box.

While I wasn't able to achieve a full surround sound experience the Diamond's wide soundstage came darn close to making me believe there were actually rear channels installed in my system.

Now, with movies I could see the need for a subwoofer or two if you were planning on using the Diamonds as part of a home theater for there are notes, beats and sound effects in movies that are tailored specifically to be played back through a subwoofer - which was evident to a small degree in my stereo listening tests with Terminator Salvation through the Diamonds.

However, I wouldn't classify my lack of a subwoofer during this test as a distraction, for the bass that was present was extremely involving.

Again, I viewed the film in stereo via my Sony Blu-ray player and as with Terminator Salvation, I didn't necessarily care. The Diamonds on their own were more than enough to get me to suspend reality for 90 minutes and become immersed in the film.

Again, dialog was clear and focused yet never sounded boxy or restrained. Scenes involving a lot of atmospheric surround effects, such as in the overly hyped and crowded restaurant Claw, were presented with lifelike dimension and space.

During some of the film's more action-oriented scenes, like the car chase involving a host of police cars and an Audi R8 driven by Steve Carell, the sound was larger than life, completely captivating and above all visceral, displaying the appropriate amount of "edge" for the scene, something previous Series designs were never quite able to do.

As a part of a home theater, the Diamonds are a tough act to fault let alone follow, even if I only had a pair on hand for my demo, for the same passion they have for music is easily felt when watching your favorite films.

Competition and Comparison The Diamond loudspeakers no doubt are the stuff of legend, but unlike in the Highlander films, there isn't merely one.

Not to mention they both cost roughly the same. Aside from the obvious high-end associations, the Diamond has competition from the likes of Paradigm's Signature Series S8 for the S8's achieve a large portion of the Diamond's performance at a fraction of the cost.

Whatever your budget, taste or needs - only you can decide what floorstanding loudspeaker is ultimately going to be right for you, but if you'd like to learn more about some of the speakers I've just mentioned or floorstanding speakers in general, check out Home Theater Review's floorstanding speaker page for more information.

The Downside As with any large floorstanding speaker, there are some practical considerations one must contemplate before making any final purchase decisions.

For starters the Diamonds are large speakers. While not as tall as some, they are quite wide and very deep, meaning you're going to have to make sure you have an appropriately sized room that can accommodate them.

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800 Diamond Video

Bowers \u0026 Wilkins 800 Series Diamond - First Impressions

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